This is a simple debate about the agreements used in hiring. The development of these agreements can often involve complex negotiations because of individual needs and relevant trade union rules. A full list of SAG rules and regulations can be find on their official website. There are two types of crew members. Above the line, the crew members are the ones who control the aesthetics of a film, such as the director, producer and cameraman, to name a few. Beyond the line, crew members are usually paid a lump sum, as stipulated in their employment contracts. These agreements most likely contain very complex terms and provisions which, because of the nature and breadth of their work on a film, are necessary for their counterparts under the line. “processing,” the document defining the type of finished product (including, but not limited); Video type, “Look and Feel,” recording time, camera angle, camera movement, narrative elements and themes, song fir, film approach, use of dyes, filters, CGI and Grading). Sometimes an additional screenwriter is hired to rewrite the script or make changes. In these cases, the parties negotiate the credit issues of the scenario. If the author has the exclusive right to prepare the sequel or remake of the script, this right is expressly provided for in the agreement. When a financier controls the rights to a screenplay to produce a film, he or she usually transfers the rights of the production company to conclude the project in a film production agreement. After the delivery of the film, the contract requires the production company to return the rights to the investor.
“Budget” means the cost of the entire project and is determined by (i) the required crew size (ii) of the number of days prior to the production period (iii) of the number of days (iv) used after production, necessary for the manufacture of a design product, and then a finished product (v) additional costs for the sites, equipment , dancers, actors, etc. In many film production services contracts, all employees and sellers agree that their work product belongs to the production company, which can then entrust these contracts to the financier. Similarly, the contract provides that the production company`s work product is manufactured for loan work and that all copyrights belong to the financier. In addition to setting the budget, the agreement on film production services may also indicate that the production company is responsible for possible overbought or overruns, unless they are due to the authorization requested by the investor or to late modifications. In some cases, the production company may be allowed to retain one or all of the remaining funds once production is complete. While this article might be a starting point for your research, talk to your entertainment lawyer to establish the full agreement for your specific production needs. There are several types of chords that are used at different stages of cinema. It is not absolutely necessary for all these agreements to be used in a particular film.